Category Archives: Comic

The Wonderful Giant Days from Boom! Studios They look regular sized to me

Giant Days is a deceptively simple story of three friends that start University together in England and over the course of three weeks become firm friends. It’s so well done that Giant Days has become one of my favourite comics of the year so far. The writer is John Allison of the webcomics Bobbins, Scary Go Round and Bad Machinery. This is his first published comic and, weird side fact, John lives where I used to live in Greater Manchester. Giant Days artist is Lissa Treiman who is currently working for Disney and the publisher is Boom! Studios.
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Political Correctness in Comics During 2015 Political Correctness = Politeness

I’ve just read an article that told me to shut up. That they believe the status quo is good enough and people pushing for equality should be happy because they already have it. I’m used to seeing political articles like this come from people like Donald Trump, or Jeb Bush. I’m not used to it in the world of comics criticism. It’s by Mindy Newell, and if you are so inclined you can find it over here. Someone telling me to shut up has the opposite effect on me. I suspect the article at Comicmix is a bait piece, and I’m going to do my suicidal fish impression and leap on that hook.
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Why is Batgirl #45 the way it is Buy it Buy it Buy it Buy it

Batgirl #45 is out and I’m going to gush for a while. If you don’t want a happy reviewer reviewing happily, you are in the wrong place my friend. The angry website is just over that way! ->

Batgirl has quietly become the most progressive mainstream comic. DC itself may or may not deserve praise for this, the current team behind Batgirl certainly do. The team consists of writers Cameron Stewart and Brenden Fletcher, artist & cover artist Babs Tarr, colourist Serge LaPointe, and letterer Steve Wands. If you know them or follow them on Twitter you should give them kudos for the current Batgirl run.
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Importance of Body Representation in Comics Not every woman is slim, has large breasts and blonde hair...

You might find this article humerus but more likely it’ll be the butt of jokes. I don’t think it’s a waist of time though, I want to get ahead of the curve even though it might be hairy, I quite can’t put my finger on why. These puns may be on their last leg but we’ve got body representation to talk about so let’s see what we can do before people fight tooth and nail!
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Hellishly Good Hellcat Mrowl

Hellcat #1, written by Kate Leth, art by Brittney L Williams, colours by Megan Wilson, letters by VC’s Joe Sabino & Clayton Cowles, cover by Brittney Williams

I prepared for the 2016 comic book version of Hellcat by reading some of the old 2008 run (the only other exposure to Patsy Walker I’ve had before this was on the Jessica Jones Netflix series). In the old comics Patsy was enthusiastic if haphazard, bouncing around solving things using her mystic senses, some punching, and a lot of talking. The modern Hellcat of 2016 modernizes but builds on the old Patsy and the ground laid by Marvel’s She-HulkSquirrel Girl, and DC’s Gotham Academy.
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Harassment Within Comics Or how I broke myself

The comics industry is in deep trouble. Not because it isn’t getting taken seriously, it is; the sheer volume of comic book movies, novels and articles about comics can attest to that.

It isn’t even that comics aren’t making money. Sales are up in many key ways, women are in particular buying more books than ever before, and that holds true for PoC as well. Independent comics are selling more than ever. In some ways the entire industry is in the best place it has ever been in. So why is the industry in deep trouble?
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Why LumberJanes Issue 17 is so Very Awesome

“Brother and sisters, take a knee. For today I’m here to preach to you the wonder of Lumberjanes. For Lumberjanes is the comic you should be reading. Should you have failed to be reading Lumberjanes, I suggest that you rectify this most urgently and pur-chase the Lumberjanes at once from your nearest Lumberjanes stockist or using the power of elec-ricity. All hail and beware the Kitten Holy. Please turn to hymn 23:14, ‘The Mountain is Mighty and Don’t ye Dare Wake it Now’ and sing along with me.”
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Astro 16 & The Eisner Awards

stro City #16 is up for an Eisner Award this year. Why is this great news?

The story is called Wish I May, written by Kurt Busiek, art by Brent Eric Anderson, and it’s published by DC/Vertigo. Astro City has previously won 12 Eisner awards so to some extent there was a feeling of burnout when it was announced this year that it’s up for another. Astro City, again?! Look at it this way: Other comic books need to up their game, Astro City can’t help being this good. Why is Wish I May in particular up for an Eisner and why do I care so much about it? It’s complex, for personal reasons, and the issue takes some reading because it’s set in multiple time periods from two different perspectives. Before I get to why I think it matters I need to explain the story in depth, so spoiler alert for a comic that came out back in December 2014.
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Cash & Carrie #1

Cash & Carrie #1 by Giulie Speziani and Penny is an independent comic from Crowntaker Studios; it has an interesting background but I’ll get to that later. I’m something of a comics extremist; I love all ages comics and I love sexy comics – I read the stuff in-between too but it’s rare when a muscled superhero story really grabs me these days. No white dudes punching each other through walls here, C&C is a gentle all-ages mystery comic.
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